ARGOLIDA
The magic of the shores of the
Argolid, the bald mountains, golden valleys, the grandeur of the monuments and the eternal
quality of its myths will leave a lasting impression. On this "flaming red Argive
earth" celebrated by the poet, "where the poppy flames still brighter",
you'll hear the most sublime voices of the Greek land - Homer, Aeschylus, Sophocles.
History
The Argolid was the heart of Greece from 1600 to
1100 B.C. under the Mycenaeans. With their decline, the Dorians controlled the fate of the
region until the conquest of the country by the Romans. During the Byzantine era the
Argolid shared the fortune of the rest of the Peloponnese. It was ruled by the Franks and
surrendered to the Turks in 1460, Nafplio, however, remained in Venetian hands until 1540.
Nafplio was the capital of the newly formed Greek state from 1828 to 1834, when this role
passed to Athens.
The district
In this little tour the approach to the district
of Argos starts in the south, at Arcadian Astros. The little village of Mili is not far
away. Ten km. further north are the ruins of ancient Lerna, where Herakles is said to have
killed the Hydra, a dragon with the body of a snake and nine heads. Passing sometimes
through valleys filled with vines and olive groves sometimes along the turquoise sea, the
road leads to Nea Kios, a coastal town built at the back of the bay of Nafplio.
Tranquillity reigns on this sandy, shallow seashore. Here on the last Sunday before Lent
there is a festival with free food and wine.
The coast road continues
on to Nauplia (Nafplio), capital of the prefecture and one of the lovellest towns in all
Greece. The old city with its neoclassic houses, picturesque streets, wooden balconies
with cascading flowers, Turkish fountains, Constitution (Syntagma) Square with its
fascinating mosques and outdoor cafe tables is like a fairy land. Here, after centuries of
struggle, happiness has finally settled. You feel like immersing yourself in its history,
burrowing into its past - the house of the Regent Mauer, the Military Academy, it operates
as a military Museum, the Army Ministry, Greece's first high school, Parliament House, St.
Spyridon's, the church where Kapodistrias, the first governor of Greece, was assassinated.
And the fairy tale world continues, whether you climb up the 857 steps to the Venetian
fortress of Palamidi crowning the city, wander round the battlements of Acronafpia or pop
over to the fortified islet, Bourtzi, afloat in the middle of the bay. A new sight
or sensation keeps coming across your path. Nafplio is full of the joy of life: it is the
nobility and calm found in Minoan frescoes; it is Syntagma Square, which strikes you as
more gracious and delightful every time you see it; it is the little restaurants on the
waterfront, the open-air cinemas, the bars and the music that every evening takes you
closer to the people, the sea and the stars. In Syntagma Square the Archaeological Museum,
with its finds from various periods and frescoes from Mycenae (Mikines) and Assini, is
housed in an imposing Venetian building, while the Folk Art Museum, on Vas. Alexandrou
street, occupies a neoclassical house.
By the sea
The first seaside village you meet on
leaving Nafplio is Tolo, situated on a picturesque bay. Its seafood tavernas
overlook the water. You take a bite and inhale the salt breeze. You listen to the put-put
of the little mortboats chugging over to the islet of Romvi opposite. The more romantic
travellers will want to head for Assini, which inspired one of Nobel prize-winning poet
George Seferis' most beautiful poems. A sheer rock at the water's edge adorned with
remnants of the distant past. Here stood the acropolis of ancient Assini mentioned by the
first Greek poet, Homer.
Ten km. from Nafplio the road passes through the
coastal village of Drepano, drenched in orange and lemon trees, and Vivari, with its
ruined Venetian castle. The view from here is enchanting. Next the road leads on to the
much frequented villages of Kandia and Salandi, winding up in Kilada, a peaceful fishing
village at the head of a closed bay. Just outside the village, one can see the large cave
of Frahthi where mesolithic artefacts were found. Not far from Kilada - inland - the
farming town of Kranidi stands out, spread out over the hillside of Agia Anna. The hill is
sprinkled with Byzantine monasteries.
Seven km. after
Kranidi the road leads to Porto Heli, a big summer resort on a closed protected bay
with a natural harbour. Brightly painted caiques and trawlers, little sailboats and
motorboats repose in the harbour. Customers at the seafood tavernas are ordering fried and
grilled fish, shrimp, octopus, and a big country salad. At midday Porto Heli is humming
with people. The shouts and laughter mingle with the aromas wafting up from the coals.
It's perpetual festival for people who delight in this miracle of nature, the Argolid
perfumed by the sea, rich in fields, harbours and beaches; the Argolid with its
translucent waters that reflect ancient and modern dreams; the Argolid, whose every
village is a treat for the eye. Kosta, Ermioni, Thermissia, Plepi, Metohi, and Galatas
with the dozens of lemon trees. The Argolid dream world. The first lights from the shores
of the Saronic islands across the way appear in the twilight. Taking the coast road north
will bring you to lush Galata, just a stone's throw from the Argosaronic island of Poros.
The narrow strait that separates them is alive with small boats ferrying passengers
between island and mainland. Further north, at the almost spherical peninsula of Methana,
lies the spa of that name, famous since antiquity for its hot sulphurous and saline
springs. Methana's waters are recommended in the treatment of dermatological, rheumatoid
and neurological ailments. Visitor to Methana will find ample accommodation as well as
numerous tavernas, restaurants, bars, discos and other facilities for tourists. The
crystalline sea and lovely beaches attract holidaymakers all summer long. The town is
linked year round with Piraeus by ferry and in summer by several hydrofoils (from Zea
marina) per day. This is the magical Argolid. The first lights from the shores of the
Saronic islands start twinkling in the dusk.
Tirins
From Nafplio the road passes through a fertile,
verdant valley to arrive at the village of Tirins. The ruins of the fortress-palace of
Tirins lie just off the road. Its cyclopean walls are older than those of Mycenae. The
ancients believed that these walls were built by the Cyclops, creatures with superhuman
powers. Homer mentions the "wall-girt" cities that took part in the Trojan War.
Looking at these massive walls - the biggest boulders weigh 13 tons each - one imagines
that any attempt at besieging them must have been in vain. Tirins flourished up to 1200
B.C., when the acropolis was destroyed by fire. In the enclosure below the acropolis are
the famous tunnels (secret cisterns), among the most interesting architectural
achievements of the period. The palace with the royal throne room at its centre occupied
the highest point on the acropolis. Fragments of wall paintings testifying to the wealth
and luxury of the palace at Tirins are on display in the archaeological museums of Nafplio
and Athens.
Argos, Midea, Mycenae
From Tirins the road continues through the
Argolid valley to Argos itself. Men and women are working in the fields, while earthy
odours and the buzzing of a bee accompany you. Farmers tending rickety roadside stands
sell their wares to passers-by - juicy grapes, oranges and apricots depending on the
season. The scenery alternates between grapevines, olive groves and apricot orchards.
Today the historic Peloponnesian city of Argos is the agricultural and commercial centre
of the prefecture. The city has retained some neoclassical buildings, the neoclassical
market place and the army barracks dating from the time of Kapodistrias. The
archaeological museum on Vas. Olga street has an interesting collection of local finds.
After the destruction of Mycenae (Mikines) and Tirins, Argos began to develop, reaching
its peak as one of Greece's most powerful cities in the 7th century B.C. Large works
produced in the city's famous sculpture studios decorated temples and sanctuaries. The
visitor will find some of them, weathered by time, in the ancient agora (on the road to
Tripolis). Northwest of Argos, the citadel of Larissa stands on the crest of a low
mountain, it is worth a visit - an asphalted road goes all the way up - to admire the
Frankish and Venetian fortifications as well as the view, which is especially impressive
at sunset, when the colours run riot. There is a monastery on the hillside, the Virgin
Concealed or of the Rock. South of Argos the road leads to Kefalari, a lush area with
several springs. The spreading plane trees, running water and tavernas will hold you in
their grasp for hours by offering those simple Greek pleasures: shade, fresh air, good
food and relaxation. To the east another road goes to the village of Merbaka (Agia
Triada), with its 12th century Byzantine church, and from there on to the hamlets of
Manesi and Dendra. From Dendra a path takes you to the top of a hill and the Mycenaean
acropolis of Midea. Here too you will find huge cyclopean walls. According to myth, the
walls at Mycenae (Mikines), Tirins and Midea were built by a tribe of men descended from
the Cyclops. Nine km. outside Argos the road leads to the slopes of Mt. Evvia where, built
on an outcropping, stand the ruins of the Heraion (Ireon), dedicated to Hera, one of the
most important sanctuaries of antiquity.In the uncluttered beauty of the scenery, emotions
and memories connected with the worship of the goddess still linger.
The Mycenaean treasure
The road leads from the
Heraion to Mycenae (Mikines) "rich in gold". The acropolis reveals itself in the
heart of a landscape that is barren to the north, a bit tamer towards the south. A grey
mound of rock with the marks of the Cyclops upon it. One has to touch these gigantic
rough-hewn slabs in order to comprehend the deep sense of security they offered the
Mycenaeans. Within these walls the leaders heaped the booty from their extended wars, gold
and jewels, bowls and purple rugs. Mycenae was the most powerful, brilliant and sovereign
influence in Greece up to 1100 B.C. when it was destroyed by fire. Centuries later the
tragic poets Aeschylus and Sophocles brought it back to life with the magic of their
verses. One enters the acropolis through the Lion Gate, the oldest example of monumental
sculpture in Europe. A secondary entrance, built in the same style, exists in the north
side. Inside the walls excavations have uncovered the palace complex, grave circle A with
six royal tombs, courtiers' houses, sanctuaries and other important buildings. Outside the
acropolis lie the ruins of private houses. Grave Circle B with 14 royal tombs and 12 tombs
of private citizens. On the nearby hill of Panayitsa archaeologists brought to light the
most stunning edifice of Mycenaean architecture, the Treasure of Atreus, also known as the
beehive tomb of Agamemnon. Most of the more exceptional finds from the site are on exhibit
in the National Archaeological Museum in Athens. These include frescoes, gold jewellery,
and the gold mask said to have belonged to Agamemnon, among other priceless pieces.
Epidaurus
The road from Nafplio
to Epidaurus (Epidavros) passes through vineyards and age-old olive groves with the
mountains looming hazily in the distance, but for Mt. Arahneo, which rises directly above
Epidaurus. Arahneo - that's just how Aeschylus called it in his tragedy, Agamemnon. The
breeze carries waves of sweet fragrances from the woods, resin and turpentine. On a
hillside, within the sanctuary, lies the theatre of Epidaurus (3rd c. B.C.), the most
famous and best preserved of all the ancient theatres in Greece. Built of limestone, it
can seat 12,000 spectators. Every summer it comes alive. Attending a performance of
ancient drama in this theatre is almost a mystical experience. Never to be forgotten. A
catharsis of the soul. At Epidaurus the actors don't need to shout or speak loudly. The
accoustics are so perfect that the merest whisper can be heard in the last row. The
entrance to the sanctuary lies to the north of the theatre. Asklepios was worshipped here.
Though he was a god, Zeus struck him down with his thunderbolt because he wanted to
destroy death. Among the ruins, one can see the foundations of the temple of Asklepios
(Doric, 4th c. B.C.), the guest house, the tholos, the Abaton or sleeping porch, the
temples of Artemis and Themis, the gymnasion etc. The museum is near the entrance to the
site and contains various artefacts plus a helpful model of what the sanctuary must have
looked like. The town on ancient Epidaurus occupied the same location as the present
village of Palia Epidavros (Old Epidaurus), a seaside settlement with a small harbour,
nestled in a plain thick with olive and orange trees, rimmed with scenic beaches and
several tavernas. Seven km. further north, at the foot of Mt. Akros, the road arrives at
Nea Epidavros (New Epidaurus), an inland village and then proceeds several km. on to the
lonely monastery of Agnounda with its Byzantine frescoes. West of Nea Epidavros, you come
to Ligourio, a modern market town much frequented by tourists. There are tavernas
everywhere you look, and coaches, cars and motorbikes. Over the wind waft tempting smells
of roasting lamb and kokoretsi. Theatre buffs and lovers of archaeology from all corners
of the globe gather here to eat and chat under a starry sky. Carefree crickets are
trilling in the trees. This land is an endless song. This is where out travelling through
the Peloponnese, the old and the new one, ends.
How to get there
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